FOR IMMEDIATE RELEASE
CONTACT:
Carol Henke
Fullerton College Art Gallery
321 E. Chapman Ave
Fullerton, CA 92832
714.992.7269
chenke@fullcoll.edu
Fullerton College Art Gallery Presents:
"Pieces and Parts," Featuring Works by Joe Davidson,
Jeffrey Frisch & David B. Jang
Fullerton, CA (PRBuzz.com) March 15, 2013 -- The Fullerton College Art Gallery proudly presents "Pieces and Parts," an exhibition featuring works by Joe Davidson, Jeffrey Frisch and David B. Jang. The exhibit is set to be on display at the Fullerton College Art Gallery from March 20 - April 17 with a special opening reception scheduled for March 19 from 5 - 7 p.m. The unique exhibition highlights sculptural work created by assembly of smaller pieces and parts. The public is invited and encouraged to come and see this intriguing exhibit.
"Pieces and Parts"
Fullerton College Art Gallery
1000 Building, Room 1004
321 E. Chapman Ave., Fullerton, CA 92832
March 20, 2013 - April 17, 2013
Opening Reception:
Tuesday, March 19, 2013 at 5:00 p.m. - 7:00 p.m.
Gallery Hours:
Monday - Thursday, 9:00 a.m. - 11:00 a.m. & 12:00 p.m. - 2:00 p.m.
Evening Gallery Hours:
Thursday, April 4 from 5:00 p.m. - 7:00 p.m.
Wednesday, April 10 from 5:00 p.m. - 7:00 p.m.
For Additional Information:
E-mail: CHenke@FullColl.edu
For general gallery information, please call (714) 992-7116 or visit us at http://art.fullcoll.edu.
About "Pieces and Parts"
Though all conceived with the same basic concept, the style and ideas behind each artist's contributions to the exhibit are very different.
Jeffrey Frisch's dreamVessels© are created intuitively referring to one's soul journey of dreams since both dreamVessels© and dreams are assembled from seemingly unrelated elements creating a believably rearranged sense of reality.
Joe Davidson, creates two- and three-dimensional work, which employs the use of cast everyday objects and the use of the repetitive gesture.
David B. Jang's process can be described as an exacting, fanciful, even obsessive re-appropriation of common materials-one in which he deconstructs, and re-constitutes industrial and commercial cast-offs to reveal new relationships between the object and the viewer.
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